“Spate has heavy themes set in a classic platforming game. So, what does this sound like? That’s the question I brought to composer Mike Raznick. He quickly came up with the wonderful idea to have the music evolve along with the games storyline. But this meant Mike had to go above and beyond in understanding the game. He had to know the story, the emotion, the environment, and the history of Spate. He did so with gusto!
Mike has been composer, writer, designer, tester, and friend. In the creative world, you will occasionally come across something “special”. When a mix of passion, talent, luck, skill, and more passion collides. That’s what I believe this soundtrack to be. Special. Much like the game, the soundtrack is a journey. One that I believe people will want to take time and time again.
– Eric Provan (Game Developer/Artist: SPATE, Jim Henson, Disney and Sony)
“An aspect of the game which is rightly focused on is the art style both visually and musically…the music from this game is eerily wonderful…the music creates an atmosphere which again brings to life the emotion and pain that the lead character is experiencing. Award winning composer Mike Raznick has done a terrific job with the music and no matter what your taste in music is, the score is enjoyable and suits the game perfectly.”
– PUSH START PLAY Review (2014) on SPATE
“Spate is a small optical, musical and historical masterpiece…”
– Indiecrowd Review (2014) on SPATE
“…the soundtrack is bold and absolutely fitting…”
– Gizorama Review (2014) on SPATE
“My feature film ‘Mitsein’ is a story of a woman’s existential journey. Mike Raznick underscored the journey with simplicity and meaning. It was like he wrote a part of the screenplay that could only be written with music. His score invited ‘Chi’ to enter my film and awakened it. I wish a Mike Raznick for every filmmaker,”
– Aparna Malladi (Award-winning Filmmaker: Mitsein, Nupur)
“For every suspenseful moment, silly joke, and dramatic beat you throw at him, Mike will come back at you with a unique piece of music that matches it perfectly. His speed, professionalism, and musical language is top notch. I’d work with him again on any project.”
– Sam Riegel (Teenage Mutant Ninja Turtles, ManBear, Riegel and Blatt)
“The only thing more outstanding than Mike Raznick’s professionalism is his talent. When you bring Mike onto your project, you bring a consummate collaborator who won’t stop until your vision is realized to the highest level.”
– Eric Kallevig (Award-winning Filmmaker: Orion Slave Girls Must Die!!!, IFC: Behind The Scenes)
“The music is just so damn enjoyable. It makes running through levels even better than it already is.”
– IGN Review (2011) on The Fancy Pants Adventures
“…the soundtrack is one of the best I’ve ever heard out of a downloadable game. Like the visuals, the songs really seem to fit the game, and never pull too much attention from the gameplay. But if you stop playing and really listen, you’ll find that the songs are actually rather enjoyable in their own right. Hell, I left the game on while I wrote this review just so I could listen to the songs. They’re just downright catchy.”
– Capsule Computers Review (2011) on The Fancy Pants Adventures
“The visual style of the game does a lot for it, as does the sound/music. It adds charm not normally seen in games (even XBLA/PSN ones) these days.”
– ZTGD Review (2011) on The Fancy Pants Adventures
“…the soundtrack is first rate. The in-game music not only mixes up styles frequently, but it’s also enjoyable to listen to.”
– GamePro Review (2011) on The Fancy Pants Adventures
“The soundtrack is thankfully pretty damn good… the music is a great fit for the action happening on the screen. It’s fast, energetic, and relentless.”
– player affinity Review (2011) on The Fancy Pants Adventures
“All of the staples of a good TeamLava experience are here: cute and cuddly visuals, catchy music, and simple social elements that don’t require you to have friends in the game to let you join in the fun.”
– Gamezebo Review (2011) on Zoo Story
“…the music does a great job of crafting a lush, otherworldly audio backdrop.”
– Gamezebo Review (2011) on Guardians of Magic: Amanda’s Awakening
“What makes The Exiled Prince stand out beyond just about any other HOG I’ve played though, is the sheer beauty of the graphics (they’re just gorgeous), the music (different music for each scene, and it’s pleasant to listen to), and the voice-over acting, which for a HOG is quite good. The game too is dark, with a dark storyline and music and graphics to match.”
– Associated Content from Yahoo! Review (2011) on Dark Parables: The Exiled Prince
“With first-rate production quality, an intriguing story and plenty to see and do, this is a game that should keep hidden object fans happy and hunting for a good long time.”
– Gamezebo Review (2011) on Dark Parables: The Exiled Prince
“…Jim & Frank gets the more obvious elements right, with bright and colorful backgrounds
throughout Tinyville and its nearby outdoor locations, entertainingly childlike voice acting, and a
light fantasy-influenced soundtrack.”
– Adventure Gamers Review (2011) on The Jim & Frank Mysteries: The Blood River Files
“The game is remarkable, not only for the purposeful use of hidden object searching, mechanical problem solving as well as a raft of mini-games, but for its intense atmosphere, spooky soundtrack and exquisite graphics.”
– Club Casual Games Blog Review (2010) on Campfire Legends: The Babysitter
“…the story, the setting, the artwork and the music has this wonderful ability to draw you in.”
– Jayisgames.com Review (2010) on Enlightenus 2: The Timeless Tower
“Top-notch production values.”
– Gamezebo Review (2010) on Enlightenus 2: The Timeless Tower
“Couple this with a haunting soundtrack and quality voice-acting, and you’ve got a formula for an outstanding and suspenseful horror-based casual game.”
– Gamezebo Review (2010) on Campfire Legends: The Babysitter
“The hand-painted backgrounds and cutscenes are even more gorgeous this time around, enhanced by a wonderful, haunting soundtrack to set the mood.”
– Jayisgames.com Review (2010) on Virtual Villagers 4: The Tree of Life
“But the reality is simply as follows: Occasional rough edge aside, the stunningly rendered and sweeping Southwestern-flavored soundtrack bolstered Westward III promises countless hours of happy adventuring on the open range.”
– Gamezebo Review (2009) on Westward 3
“Beautiful visual scenes and beautiful music…”
“it’s also a beautiful game with calming music that always offers something new to learn.”
“The music complements each scene with a nice mix of nature and industrial sound effects.”
– Gamezebo Review (2009) on Eco Match
“In addition to a thoroughly enjoyable and environment-complementing soundtrack, Delicious is more expressive and enjoyable than ever”
– Gamezebo Review (2009) on Delicious: Emily’s Taste of Fame
“And the boats are so pretty, and the steel-drum reggae so relaxing, that it underscores the essence and nature of casual gameplay.”
– Jayisgames.com Review (2009) on Youda Marina
“With a stunning soundtrack, gorgeous artwork, handmade environments, and memorable gameplay, this is an outstanding title.”
– Gamezebo Review (2009) on Campfire Legends: The Hookman
“To the ever-present tune of a superb, period-specific soundtrack, you’ll help the clan with each of these performances.”
– Gamezebo Review (2008) on The Flying Trapeezees
“Little touches like a fast-paced, swashbuckler movie-style soundtrack and stones which tumble one by one down sloped embankments help add charm.”
– Gamezebo Review (2008) on Gold Rush: Treasure Hunt
“Solid production values extend to the audio, as well, with great music, sound effects and humorous banter from your hero and townsfolk adding to the atmosphere.”
– Gamezebo Review (2008) on Westward 2